A steady stream of music fans moved towards the Toyota Center in downtown Houston where Roger Waters would take the stage for his US+Them tour accompanied by Lucius, a two-woman team lending vocal muscle and might to Pink Floyd fan favorites and Roger’s uncompromising anthems asking the audience: “Is this the life we really want?” T-shirts sported by concertgoers provided a timeline of tours from Dark Side of the Moon to those purchased fresh from the merch table. Generations represented by groups of families, couples, and friends gathering for music they grew up with or, as in my case, music that grew on me. Music equally at home in a planetarium’s laser light show, a backyard bbq, the confines of a teenager’s bedroom, or a protest march.
Music simultaneously rooted in the past but uncannily present. The evening’s set list of Pink Floyd titles on point more than ever: Welcome to the Machine, Money, Bring the Boys Back Home, and of course, Another Brick in the Wall with Part II featuring a lineup of young boys and girls singing the chorus while wearing the unmistakable orange of inmate apparel that they shed to reveal t-shirts emblazoned with the present-day battle cry: RESIST.
Music steeped in shapeshifting where a farmyard pig floats above the audience’s head with a bank for a belly. A dog, man’s best friend, turned against him as a tool of torture and intimidation. A president transformed into a diapered, belligerent baby no one wants to hold.
Music paired with mammoth-sized video screens streaming scenes of collateral damage later making the drowsy, dreaminess of Comfortably Numb less of a song and more of a statement on our own complicity. But shock turned to awe as the Battersea Power Station smokestacks separating the audience gave way and a mirrored orb shiny as a disco ball floated overhead while Dark Side‘s signature triangle sprung up like a lightning bolt with confetti showering the crowd that now was a community. Wish I was still there.